The Works of Lord Byron, Vol. 1. Poetry

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THE WORKS

OF

LORD BYRON.







A NEW, REVISED AND ENLARGED EDITION,
WITH ILLUSTRATIONS.



POETRY, VOLUME 1.



EDITED BY

ERNEST HARTLEY COLERIDGE, M.A.


1898




PREFACE TO THE POEMS.


The text of the present issue of Lord Byron's Poetical Works is based on
that of 'The Works of Lord Byron', in six volumes, 12mo, which was
published by John Murray in 1831. That edition followed the text of the
successive issues of plays and poems which appeared in the author's
lifetime, and were subject to his own revision, or that of Gifford and
other accredited readers. A more or less thorough collation of the
printed volumes with the MSS. which were at Moore's disposal, yielded a
number of variorum readings which have appeared in subsequent editions
published by John Murray. Fresh collations of the text of individual
poems with the original MSS. have been made from time to time, with the
result that the text of the latest edition (one-vol. 8vo, 1891) includes
some emendations, and has been supplemented by additional variants.
Textual errors of more or less importance, which had crept into the
numerous editions which succeeded the seventeen-volume edition of 1832,
were in some instances corrected, but in others passed over. For the
purposes of the present edition the printed text has been collated with
all the MSS. which passed through Moore's hands, and, also, for the
first time, with MSS. of the following plays and poems, viz. 'English
Bards, and Scotch Reviewers'; 'Childe Harold', Canto IV.; 'Don Juan',
Cantos VI.-XVI.; 'Werner'; 'The Deformed Transformed'; 'Lara';
'Parisina'; 'The Prophecy of Dante'; 'The Vision of Judgment'; 'The Age
of Bronze'; 'The Island'. The only works of any importance which have
been printed directly from the text of the first edition, without
reference to the MSS., are the following, which appeared in 'The
Liberal' (1822-23), viz.: 'Heaven and Earth', 'The Blues', and 'Morgante
Maggiore'.

A new and, it is believed, an improved punctuation has been adopted. In
this respect Byron did not profess to prepare his MSS. for the press,
and the punctuation, for which Gifford is mainly responsible, has been
reconsidered with reference solely to the meaning and interpretation of
the sentences as they occur.

In the 'Hours of Idleness and Other Early Poems', the typography of the
first four editions, as a rule, has been preserved. A uniform typography
in accordance with modern use has been adopted for all poems of later
date. Variants, being the readings of one or more MSS. or of successive
editions, are printed in italics [as footnotes. text Ed] immediately
below the text. They are marked by Roman numerals. Words and lines
through which the author has drawn his pen in the MSS. or Revises are
marked 'MS. erased'.

Poems and plays are given, so far as possible, in chronological order.
'Childe Harold' and 'Don Juan', which were written and published in
parts, are printed continuously; and minor poems, including the first
four satires, have been arranged in groups according to the date of
composition. Epigrams and 'jeux d'esprit' have been placed together, in
chronological order, towards the end of the sixth volume. A Bibliography
of the poems will immediately precede the Index at the close of the
sixth volume.

The edition contains at least thirty hitherto unpublished poems,
including fifteen stanzas of the unfinished seventeenth canto of 'Don
Juan', and a considerable fragment of the third part of 'The Deformed
Transformed'. The eleven unpublished poems from MSS. preserved at
Newstead, which appear in the first volume, are of slight if any
literary value, but they reflect with singular clearness and sincerity
the temper and aspirations of the tumultuous and moody stripling to whom
"the numbers came," but who wisely abstained from printing them himself.

Byron's notes, of which many are published for the first time, and
editorial notes, enclosed in brackets, are printed immediately below the
variorum readings. The editorial notes are designed solely to supply the
reader with references to passages in other works illustrative of the
text, or to interpret expressions and allusions which lapse of time may
have rendered obscure.

Much of the knowledge requisite for this purpose is to be found in the
articles of the 'Dictionary of National Biography', to which the fullest
acknowledgments are due; and much has been arrived at after long
research, involving a minute examination of the literature, the
magazines, and often the newspapers of the period.

Inasmuch as the poems and plays have been before the public for more
than three quarters of a century, it has not been thought necessary to
burden the notes with the eulogies and apologies of the great poets and
critics who were Byron's contemporaries, and regarded his writings, both
for good and evil, for praise and blame, from a different standpoint
from ours.