Mile End Effects does not do “subtle.” From art to enclosure to audio, Montreal builder Justin Cober’s pedals make big, bold statements. Even against a lineup of effect units that look and sound like Cold War-era machines of destruction, his latest creation, the Sofort, Si Fort, might just be the most devastating yet: a two-in-one design that combines a Sovtek Big Muff and Ampeg Scrambler elements.
Jolly Green Giant
Cober has demonstrated before that the visual aesthetic of his products is important enough that pedalboard-friendliness does not factor into his design decisions. Not surprisingly, this pedal is comparatively mammoth and beautiful. The giant, army-green slab is deliciously retro and Soviet, from its crisp screenprint art and font (handled by Tristan Lacombe, of Montreal psych-rockers Population II) to its chunky Pultec EQP-1-style knobs. (The Sofort, Si Fort continues the sharp orange/olive green color contrast introduced last year on Mile End’s Pique.) In a cultural moment obsessed with optimization at the expense of good ol’ fun, it’s heartening to behold a pedal that exists confidently on its own terms.
Each fuzz circuit has its own footswitch and controls. Section A is the green Russian Big Muff-style fuzz, with knobs for sustain (gain), level (volume), and filter (tone). A three-way switch just below the filter control toggles activates a mid-frequency bump. Paired with the filter knob, it unlocks drastically different EQ emphases that cover ground beyond simply making up for a Sovtek Big Muff's mid-scooped voice.
The B section is the Scrambler-style circuit, which is controlled with two knobs near the pedal’s bottom: blend and octave. Turned fully counterclockwise, octave allows just a hint of crispy harmonic content. At maximum, it shrieks and careens toward full ring-modulated madness. Blend lets you adjust exactly how much of that madness you want prickling the Muff circuit’s smooth-edged thundering. Each effect can be engaged independently. The only potential downside in the layout is that the chicken-head knobs for tone and level in the A section touch at certain settings. Just take care when you’re turning.
Immediately, and So Loudly
While two-in-one pedals are far from novel, the tones contained in these two circuits are so radically different that it’s almost perplexing to hear them emerge from the same pedal. The name Sofort, Si Fort combines German and French words meaning “immediately” and “so loud” and the pedal’s output is both of those things. As imposing as the Sofort, Si Fort’s physical stature is, it’s dwarfed by the enormousness and mass of its sounds.
Within seconds of plugging in and tweaking, I was conjuring Sunn O)))-worthy waves of low-mid bliss, and lively, whirling overtone chaos. The Green Sovtek Big Muff variant is celebrated for its bass presence, and Cober made sure that quality is preserved in the Muff-style circuit here. Engage the A section, and you’ve got a soft-edged, earth-shaking fuzz, with streaks of texture and graininess. The Scrambler-style section gouges and slashes at these massive low-end couch cushions. If you keep the octave low and the blend maxed out, the higher harmonic content will subtly scratch up your signal. As you crank the octave up, though, you'll eventually reach ring-mod meltdown. Utilizing your guitar volume knob at these settings is great fun, and uncovers all sorts of additional textures and tones.
I’m trying not to be too fawning here, but the combination of the smooth, enveloping Muff tones with the jagged yelp of the Scrambler is positively blissful. For me, it blows the RAT-into-Muff combo out of the water in terms of texture and harmonic possibility.
The Verdict
If you’re looking for low-end fuzz authority that never loses its fangs or clarity, and can reach more unusual highs, the Mile End Sofort, Si Fort is the ticket. There is a price to be paid for this much fun—it’s a very noisy pedal. But, like, duh? As we said, subtlety is not the goal here, and players who understand this will extract endless pleasures from the Sofort, Si Fort—which, at $213, feels like a steal.
Sentinel — Human
The text reads as an enthusiastic review, heavily invested in subjective sensory experience and personal aesthetic judgment, rather than objective reporting.
