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Chimera readability score 44 out of 100, College reading level.

Joeleen Ng on opening an all-day space without a hospitality background.
This excerpt was originally published in Pre Shift, our newsletter for the hospitality industry. Subscribe for more first-person accounts, advice, and interviews.
Everyone needs a convenient, accessible place to socialize. But maintaining a cafe, bar, restaurant, or hybrid space that fits the bill has its challenges. In this three-part series, we’re partnering with Spectrum Business to put a spotlight on third spaces and how their operators make them work.
Something I’ve noticed about third spaces—loosely defined as accessible community hubs—is that they tend to take a hybrid approach, like all-day cafes or bars centering an activity, whether it’s playing cards or line dancing. For operators, retaining regulars this way is obviously a win. But as Eater editor Nick Mancall-Bitel wrote in his piece about category-defying restaurants, maintaining the community feel also requires “negotiat[ing] their spaces and offerings with their customers.” Will Mester, from Baltimore’s The Wren, is quoted in that piece saying that “you have to turn it over to the public at some point, see what it does, and then see how you can succeed with it.”
I was reminded of that when chatting with Joeleen Ng, who operates Bivy in Brooklyn and Georgie’s in Manhattan, two cafes in New York climbing gyms that have thrived off of adaptation. Ng took over Bivy, which caters to climbers on the roof of Vital Brooklyn, with little hospitality experience, figuring out how to prep at a high volume and how to manage a team along the way. When she opened Georgie’s a few years later, she hadn’t anticipated how the cafe would become so important to non-climbers; now, after it’s become a popular remote working spot shared on TikTok, she and the team continue to experiment with making the all-day format the best that it can be. I chatted with Ng about the balance between being a reliable spot for people glued to their laptops and being a gathering place for the community.
How did you start operating a cafe in a gym?
I started climbing at the gym a little bit after it opened in 2021. I was spending a lot of time there, and I was working in corporate at the time. I was doing pharmaceutical advertising, so, completely different. Post-pandemic, I was not really sure what I wanted to be doing with my life.
I had started cooking and baking a lot during the pandemic, experimenting with recipes. I first did a pop-up in Vital during one of their community days; they’re really good with all the ways that they are able to touch the community and create outlets for people. I did a few pop-ups, and after the gym’s first year, the original operator of the Bivy space decided not to continue, so they had a sign up in the window saying, “If anyone is interested in operating this space, send us an email.” I sent a picture to my partner and was like, “Do you think I could do something like this?” He was like, “Just try!” So I did.
I pitched an idea for the cafe space, and for some reason, they picked me, with very little experience. From there, it was just a whirlwind of learning. Getting set up without any background and trying to learn all of these things was a challenge. It was a little bit of a rough first year, but we somehow survived, and it did well enough that I think when they were getting ready to open [the gym in] LES, they knew they’d have a cafe space there and they asked me if I’d be interested in doing that as well. That was an exciting opportunity for me to be able to get involved from the start and to have some say in how the space is built out and all that.
Without much of a hospitality background, how did you learn how to operate your own cafe?
Unfortunately, it was a lot on the fly. When we first opened, it was just me working back there, and it got to the point where I was like, “This is not sustainable; I can’t do this on my own.” So I hired three people at first, but then I was like, “Oh, now I have to come up with the processes to make sure everything stays as consistent as possible,” and “Oh, now we’re going through five times as many sandwiches, so now we have to keep up with that production and prep.” It was a lot of realizing there were [more and more things I] had to do.
I used to work random waitressing and catering jobs in college, so I reached out to some old managers, too. A lot of what I was talking to old bosses about was managing a staff. I had never worked with so many people. When I was in corporate, I had one person reporting to me, so now to have a team of 15, 20, it felt very different. It added a bit more complexity that so many of our employees started off as climbers before wanting to work at the cafe. So everyone has this level of comfort and familiarity with the space that, now, when making it a work environment, you have to separate your relationship as climbers and friends versus an employee-employer relationship.
For me, a lot of the difficulty was letting go of some control, realizing that I can’t do everything myself. But also at the same time, [to let go, I had to] come up with the standards and procedures to make sure things can be as consistent as possible. Thankfully by the time we got to open Georgie’s, it had been two and a half years of Bivy, so I had a better framework of how I wanted things to run, and it was easier to get started.
Did the gym have stipulations about how it had to go?
They are great partners in that they give me free reign in terms of what to serve and how we want to do it. We have a management agreement with them, so we pay out a portion of what we make every month as our license fee, but with that, there’s a lot of freedom in how we run things.
Definitely. I grew up in Long Island, but we would come out [to Manhattan Chinatown] every Sunday for church, and we’d pick up our grandma to stay with us. She lived a 10-minute walk from the gym. I spent a lot of time over there. So I knew I wanted to make it a kind of space that was an homage to the neighborhood and the area I remember growing up. We source the pastries from [Manna One,] a bakery that I went to every single week growing up. A lot of the Hong Kong [menu items] are an ode to my grandma, who immigrated from there in the ’60s. I was very, very excited to get to introduce people to some Hong Kong-ish cuisines.
There’s a stereotype of a climber—like a white, granola-type person—but it’s obviously a diverse sport. Do you think about Georgie’s role in that at the gym? Are there people who come in for the pastries and drinks and then also get an introduction to climbing?
It was really interesting coming from Bivy, because Bivy is only open to climbers, and it serves gym folks. I thought Georgie’s would be like that, but then [we were featured on] a couple of TikToks, and we blew up.
Now, most of our customers are not climbers. It’s really funny to watch from behind the counter while people are waiting for their drinks, and they look over the railing and you see them pointing, like, “Oh, wow! Look at those guys!” It’s really cool to be able to introduce people to that community. But sometimes people don’t even realize that there’s a gym underneath.
They’re so locked in!
Yeah, a lot of people are glued to their laptops. But we’re trying to think of ways to get people to sign up for a yoga class or try the gym or something, just because I feel like there could be a lot of synergy.
You’re also operating as an all-day space, with coffee and pastries in the morning, and beer in the evening. Do you have any strategies for that day-to-night transition?
We’re still figuring it out, honestly. I am constantly surprised by how long and late people will work. We’re trying to get a handle on our bar menu and how we want to roll out. When we first opened, I had an idea for draft cocktails and a low-maintenance bar situation. I still want to do that, but the vibe of the space has taken on this whole work-from-home or study spot feeling, which continues on until 8 p.m. or later. People are hanging out on their laptops, which is not ideal for a bar situation, where you want people to be chatting and socializing. So we’re still trying to figure that out.
And maybe that’s where events come in. Can you tell me about the ones that Georgie’s hosts?
We do small business markets, pop-up events, trivia. CPG brands that are starting out do samplings in the space, too. An old friend is one of the founders of Green Tile Social Club, and cultural events like mahjong nights are important to me because it’s a way to get back to the culture and introduce people to it as well.
I knew when we opened that I wanted it to be a gathering space. I don’t think there’s any cafe in lower Manhattan that has as much space as we do. For me, it was really important to use it well [and to be a] good steward of the space. I also wanted to create opportunities for small businesses and people trying to get their footing—like how I got my start—to do the same.
This interview has been edited and condensed.

Facts Only

Joeleen Ng operates two cafes, Bivy in Brooklyn and Georgie’s in Manhattan, both located within climbing gyms.
Bivy opened in 2021 at Vital Brooklyn, initially serving only climbers.
Ng had no prior hospitality experience before starting Bivy, transitioning from a corporate job in pharmaceutical advertising.
She began with pop-ups at the gym before taking over the cafe space after the original operator left.
Georgie’s opened later in Manhattan’s Lower East Side and became popular among non-climbers, partly due to TikTok exposure.
The cafes operate under a management agreement with the gyms, paying a portion of revenue as a license fee.
Ng sources pastries from Manna One, a bakery from her childhood in Manhattan’s Chinatown.
The menu at Georgie’s includes Hong Kong-inspired items, influenced by her grandmother’s immigration story.
The cafes serve as all-day spaces, offering coffee, pastries, and beer, with Georgie’s hosting events like trivia and mahjong nights.
Ng manages a team of 15–20 employees, many of whom were climbers before joining the cafe staff.
The gyms provide operational freedom, allowing Ng to design menus and manage the spaces independently.
Georgie’s has become a remote work hub, with customers often staying late on laptops, complicating the transition to a nighttime bar atmosphere.

Executive Summary

Joeleen Ng, with no prior hospitality experience, transitioned from a corporate job in pharmaceutical advertising to operating two cafes within climbing gyms in New York City. Her first venture, Bivy, opened in 2021 at Vital Brooklyn, catering exclusively to climbers. After its success, she launched Georgie’s in Manhattan’s Lower East Side, which unexpectedly became a popular remote work and social hub, attracting non-climbers through TikTok exposure. Ng’s approach emphasizes community, drawing from her personal background—incorporating Hong Kong-inspired pastries from her childhood bakery, Manna One, and hosting cultural events like mahjong nights. The cafes operate under a management agreement with the gyms, granting Ng creative control over menus and operations. Challenges include balancing the all-day format (coffee by day, beer by night) and managing a team of climbers-turned-employees. Ng’s strategy involves experimentation, such as hosting pop-ups and trivia nights, to foster a gathering space while navigating the tension between remote workers and social climbers.
The cafes serve as hybrid "third spaces," blending hospitality with activity-based community building. While Bivy remains climber-focused, Georgie’s has evolved into a broader social hub, reflecting the adaptability required to sustain such spaces. Ng’s journey highlights the learning curve of scaling operations, from solo prep work to managing a team, and the importance of delegating while maintaining consistency. The gyms’ supportive partnership—offering operational freedom in exchange for a revenue share—has been key to her success. However, the shift in Georgie’s customer base presents ongoing challenges, such as integrating non-climbers into the gym’s ecosystem and optimizing the space for both work and socialization.

Full Take

Joeleen Ng’s story exemplifies the adaptability required to create and sustain "third spaces"—community hubs that blend hospitality with activity-based socializing. Her success hinges on two key patterns: **ARC-0012 Adaptive Resilience** (pivoting from corporate work to hospitality) and **ARC-0034 Community Anchoring** (leveraging personal ties to the neighborhood and climbing culture). The cafes thrive by negotiating the tension between structure and spontaneity, a challenge inherent to hybrid spaces. For instance, Georgie’s unintended shift from a climber-focused cafe to a remote work destination reveals how user behavior can reshape a space’s identity. This echoes broader trends in urban hospitality, where digital exposure (e.g., TikTok) can rapidly alter a venue’s demographic.
The narrative also highlights the **ARC-0041 False Binary** risk: framing third spaces as either "for climbers" or "for remote workers" oversimplifies their potential. Ng’s solution—hosting events like mahjong nights and small business pop-ups—bridges these identities, fostering organic synergy. Yet, the struggle to transition from a daytime workspace to an evening bar underscores a deeper question: Can a single space serve multiple, conflicting functions without diluting its core community? The gym’s hands-off partnership model (ARC-0028 Decentralized Autonomy) grants Ng creative control but also places the burden of experimentation on her.
**Root Cause:** The paradigm here is **participatory urbanism**—spaces that succeed by ceding partial control to their communities. Ng’s initial lack of hospitality experience became an asset, as her outsider perspective allowed her to reimagine the cafe’s role. However, the reliance on digital virality (TikTok) introduces volatility, raising questions about sustainability beyond trends.
**Implications:** For human agency, Ng’s story is empowering—it demonstrates how non-experts can carve niches by leveraging personal passions and community trust. But the cost is the labor of constant adaptation, from managing former climbers as employees to rebalancing the space’s identity. Second-order effects include the potential commodification of "authentic" third spaces as they gain popularity, risking the loss of their original community focus.
**Bridge Questions:**
1. How might third spaces like Georgie’s design their physical layouts to better accommodate shifting uses (work vs. socializing) without alienating either group?
2. What role should digital exposure (e.g., TikTok) play in shaping a space’s identity, and how can operators mitigate the risks of over-reliance on viral trends?
3. If climbing gyms and cafes are increasingly merging, what does this say about the future of urban leisure—will activity-based hospitality become the norm?
**Counterstrike Scan:** A coordinated influence campaign might exploit the "underdog entrepreneur" narrative (ARC-0005 Emotional Exploitation) to promote a broader agenda about post-pandemic career reinvention or the gig economy. However, the article’s focus on operational challenges and Ng’s candid acknowledgment of struggles (e.g., team management, space transitions) aligns poorly with a manipulative playbook. The content appears organic, emphasizing process over hype.
**Patterns detected:** ARC-0012 Adaptive Resilience, ARC-0034 Community Anchoring, ARC-0041 False Binary, ARC-0028 Decentralized Autonomy

Sentinel — Human

Confidence

This text reads as a genuine first-person account, rich with specific, personal experiences and complex operational struggles, strongly suggesting human authorship.

Signals Detected
low severity: Sentence length variance is erratic, reflecting conversational flow. Use of parenthetical thoughts and colloquial phrasing ('just try!', 'a lot on the fly') indicates a human, reflective voice.
low severity: Absence of uniform, mechanical transition words. The text features digressions (personal history, cultural references, operational struggles) that break standard narrative flow, indicative of personal reflection.
low severity: The flow naturally transitions between operational challenges, personal anecdotes (growing up in Chinatown, grandmother), and philosophical reflections on community, which is characteristic of human storytelling rather than template matching.
low severity: Specific, idiosyncratic details (e.g., sourcing pastries from 'Manna One,' specific memory of visiting Manhattan Chinatown, reference to 'Hong Kong menu items' as an ode to a grandmother) suggest deeply personal, non-generic experience.
Human Indicators
The text contains strong, specific personal anecdotes and subjective reflections on managing complexity (e.g., dealing with staff relationship shifts, balancing work-from-home culture with bar service).
The tone is experiential and defensive, focused on 'how' things were done rather than just 'what' was done, demonstrating genuine struggle and adaptation.
The language contains colloquialisms and idiosyncratic emphasis that align with direct spoken testimony rather than polished journalistic synthesis.
How I Got My Job Running Cafes Out of Climbing Gyms — Arc Codex