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With unique labels designed by Marina Abramović
Paris – For the second year, Bonhams, in partnership with Ornellaia, one of Italy's most esteemed and influential wine estates, will host an online auction on Bonham's website, featuring 14 lots including large-format bottles of Vendemmia d'Artista 2023 La Vitalità (Vitality) adorned with labels designed by acclaimed Serbian conceptual and performance artist Marina Abramović, running from 11 to 23 June 2026. Ornellaia has committed its sale proceeds from the June 2026 Vendemmia d'Artista auction to the Solomon R. Guggenheim Foundation to support the treatment and restoration of some of the artworks included in the much-awaited exhibition, Guggenheim Pop, bringing together a selection of uncanny and provocatory works in the Guggenheim collection. Guggenheim Pop will showcase recent acquisitions by leading artists like Andy Warhol, Maurizio Cattelan, Richard Hamilton, Roy Lichtenstein and Coosje Van Bruggen.
Since the release of its 2006 vintage, Ornellaia has upheld the tradition of selecting a contemporary artist for its Vendemmia d'Artista project to create a work of art for the estate and a series of limited-edition labels, inspired by a word chosen by the estate's winemaker to describe the new vintage. Each vintage of Ornellaia has its own distinctive characteristics which are summarized in one word: the character of the vintage.
With the labels designed by Marina Abramović to celebrate Ornellaia 2023 La Vitalità, the artist remained faithful to her practice intrinsically linked with the limits of the human body. The word chosen for the 2023 harvest, La Vitalità responds to a very specific reading of what occurred in Ornellaia's vineyards that year. For Abramović, vitality is anything but an abstract notion. While the body has always been at the centre of her research, as both the subject and object of her work, for Ornellaia, the artist chose to portray herself in a continuous process of transformation, constantly redefining the boundary between art and life. In these labels, Marina Abramović explores the theme of self, understood as an act of awareness and determination in capturing one's own image. The artwork dedicated to Vendemmia d'Artista reflects on the ability to regenerate oneself through art and to regain strength and vitality. Each of the 14 lots will be offered at the online auction along with a unique experience, either at the Ornellaia estate or at one of the three Guggenheim museums.
Marina Abramović commented: "When I began this project, I started from the drawing, from the raw material: the grape. I surrounded my face with the clusters and, suddenly, the vivid green of the leaves and the deep black of the berries began to vibrate. A vital force, energy-petals blooming from the mind."
"In the vineyard, every stage of the vegetative cycle describes a process of transformation. Patience is essential and, at times, is timeliness. Marina Abramović has captured this energy. She has looked at us and involved us all, turning our work into art," says Lamberto Frescobaldi, President. "We are very proud of this collaboration and to share it with all Ornellaia wine lovers through the artist-designed labels of the various formats of the 2023 vintage."
Mariët Westermann, Director and CEO of the Solomon R. Guggenheim Museum and Foundation declared: "Since 2019, Ornellaia's generous and impactful support has been instrumental in sustaining and presenting many programs and works of art at the Guggenheim New York. This year, we are especially grateful that Ornellaia's support will enable the conservation of works featured in Guggenheim Pop: 1960 to Now, which examines the Guggenheim's own history with the movement and Pop's influence on contemporary artists in our collection. This vital treatment will ensure that these works may be enjoyed by local and global visitors not only this summer, but for years to come."
"Following the success of the first auction at Bonhams last year, we are proud to continue our partnership with Vendemmia d'Artista project— a landmark auction where the worlds of fine wine, contemporary art and philanthropy converge. This extraordinary collaboration with Ornellaia not only offers collectors access to one-of-a-kind bottles, but also supports the Guggenheim Museum in New York, furthering the shared mission of enriching culture globally. It's an honor to bring this vision to the international stage," added Amayès Aouli, Global Head of Wine & Spirits, Bonhams.
The top lot of the sale is a unique Salmanazar (9 litre) of Ornellaia 2023 La Vitalità Vendemmia d'Artista, conceived by Marina Abramović and estimated between €14,000 – 18,000. This bottle, numbered 1 of 1, is signed by the artist, who has interpreted the idea of vitality in a project centered on the theme of self, intended as an act of awareness and determination in capturing her own image. The 9L Salmanazar is a unique piece, conceived as a combination of elements engaging the temporal dimension of life and the senses. At the top of the bottle a red wax cone-shaped candle, inspired by one of her iconic artworks, Energy Hat, can be lit. As the flame slowly burns, it marks the time of rituality and prepares the moment for wine. Beside it, a 45-rpm vinyl record by Nino Rota accompanies the gesture, transforming the space through music. The label provides instructions: "Slowly drink wine with eyes closed and listen to the music." This lot includes an exclusive dining & overnight experience for six guests at the Ornellaia estate.
Abramović's concept for the vintage character is vividly expressed throughout 10 Imperials (6 litre). Abramović took photographs of herself. Each label is unique, like a sequence that shows the various stages of the plant as it manages to sprout with determination. The 10 Imperials (6 litre), with estimates starting at €8,000 and reaching up to €24,000, are offered with private visits of the estate or dinner with 6 guests.
A unique wooden collection case containing twelve bottles of Ornellaia 750ml, including the full vertical of twelve Vendemmia d'Artista 750ml labels produced from 2012 to 2023 will be offered (estimate: €6,000-9,000). For the 750ml label, Abramović created a design based on concentric circles formed by a series of signs of different colors. These represent the energy generated by the union of many individual elements when they form a single whole. This lot also includes a private tour of either The Guggenheim New York, The Peggy Guggenheim in Venice or the Guggenheim Museum in Bilbao - outside public hours for four guests.

Facts Only

Bonhams and Ornellaia are hosting an online auction from June 11 to 23, 2026.
The auction features 14 lots of Ornellaia's 2023 Vendemmia d'Artista "La Vitalità" wine.
Labels for the wine are designed by Serbian artist Marina Abramović.
Proceeds from the auction will support the Solomon R. Guggenheim Foundation.
Funds will aid the conservation of artworks for the *Guggenheim Pop* exhibition.
The exhibition includes works by Andy Warhol, Maurizio Cattelan, Richard Hamilton, Roy Lichtenstein, and Coosje Van Bruggen.
The top lot is a 9-liter Salmanazar bottle, estimated at €14,000–18,000, signed by Abramović.
The Salmanazar includes a candle and vinyl record by Nino Rota.
Ten 6-liter Imperial bottles are also available, with estimates ranging from €8,000 to €24,000.
A wooden case with 12 bottles of Ornellaia (2012–2023) is offered, estimated at €6,000–9,000.
Purchases include exclusive experiences at Ornellaia's estate or Guggenheim museums.
Ornellaia has supported the Guggenheim since 2019.
Abramović's design for the 2023 vintage focuses on vitality and self-transformation.
The auction merges wine, art, and philanthropy.

Executive Summary

Bonhams and Ornellaia are collaborating for the second year on an online auction featuring 14 lots of Ornellaia's 2023 Vendemmia d'Artista "La Vitalità" wine, with labels designed by artist Marina Abramović. The auction runs from June 11 to 23, 2026, with proceeds supporting the Solomon R. Guggenheim Foundation for the conservation of artworks in the upcoming *Guggenheim Pop* exhibition. Abramović's labels reflect the theme of vitality, drawing from her performance art practice centered on the human body and transformation. The top lot is a unique 9-liter Salmanazar bottle, accompanied by a candle and vinyl record, estimated at €14,000–18,000. Other lots include 10 Imperial bottles (6 liters each) and a wooden case with a vertical collection of 12 Vendemmia d'Artista labels from 2012–2023. Each purchase includes exclusive experiences, such as estate visits or private museum tours. Ornellaia's partnership with the Guggenheim has supported conservation efforts since 2019, with this year's funds aiding the restoration of Pop art works for the exhibition.
The collaboration highlights the intersection of fine wine, contemporary art, and philanthropy, with Abramović's designs emphasizing regeneration and self-awareness. The auction merges commercial appeal with cultural preservation, offering collectors rare bottles while contributing to the Guggenheim's mission. The initiative underscores the growing trend of luxury brands leveraging art and exclusivity to drive both sales and social impact.

Full Take

This auction represents a sophisticated fusion of luxury marketing, artistic collaboration, and philanthropic branding. The partnership between Bonhams, Ornellaia, and the Guggenheim leverages the allure of exclusivity—rare wine, celebrity artist labels, and VIP experiences—to drive both sales and cultural patronage. The narrative emphasizes vitality and transformation, aligning Abramović's performance art themes with Ornellaia's winemaking philosophy. This framing elevates the product beyond mere consumption, positioning it as an artifact of cultural significance.
The strongest version of this narrative is that it exemplifies how high-end brands can create shared value: collectors gain unique items, the Guggenheim secures conservation funding, and Ornellaia reinforces its prestige. However, the pattern of using art as a luxury commodity—where cultural capital is monetized—raises questions about accessibility and the commodification of creativity. The auction's structure, with its tiered exclusivity (from €6,000 cases to €18,000 centerpieces), mirrors the art world's own hierarchies, where access is often reserved for the wealthy.
Root causes include the broader trend of "experiential luxury," where brands sell not just products but stories and status. The unstated assumption is that cultural preservation should rely on private patronage rather than public funding, reflecting a neoliberal shift in arts funding. Second-order consequences may include the further entrenchment of art as an asset class, potentially alienating broader audiences.
Bridge questions: How might this model of philanthropy through luxury sales exclude or include different stakeholders? What alternatives exist for funding art conservation without relying on high-net-worth collectors? Would the cultural impact of this exhibition differ if its funding were transparent and democratic?
Counterstrike scan: If this were a coordinated influence campaign, the playbook would involve leveraging prestige (Guggenheim, Abramović) to sanitize commercial motives, framing consumption as cultural stewardship. The actual content aligns with this pattern but does not exceed typical luxury marketing tactics. No overt manipulation is detected.
Patterns detected: none

Sentinel — Human

Confidence

The text exhibits the structure and detail of professional journalism and specific sourcing, indicating a high probability of human authorship rather than machine generation.

Signals Detected
low severity: Natural variance in sentence length and rhythm; complex, layered vocabulary used naturally in quotes.
low severity: Passionate, specific focus on the convergence of art, wine, and philanthropy; distinctive emphasis is found in the quoted material.
low severity: Evidence of specific, verifiable institutional relationships (Bonhams, Ornellaia, Guggenheim) and specific named quotes from high-level figures.
low severity: Highly detailed, specific information regarding lot descriptions, artwork titles, and financial estimates attributed to specific artists and estates, suggesting direct sourcing.
Human Indicators
The presence of highly specific, non-generic details regarding auction lots, artwork descriptions, and named expert quotes strongly suggests human journalistic sourcing.
The flow and tone, while formal, retain an organic narrative structure that moves between the event details and the philosophical implications of the collaboration.