The concept behind Fender’s new Ultra Luxe Vintage series is simple but effective – planks for guitarists who want modern features and playability in a Strat (or Tele) that looks pre-CBS.
The ’60s Stratocaster HSS is something of an electric wolf in sheep’s clothing. Looking and feeling like a 1960s Strat hot-rodded with 21st-century firepower, our tester was dressed in the fabled Fiesta Red topped with Fender’s Heirloom nitrocellulose lacquer sporting a semi-matte appearance – a welcome relief from hyper-glossy poly finishes. The Strat has an alder body, maple neck, and 22-fret rosewood board (10″-14″ radius) with stainless-steel frets. Its aged-white pickup covers and knobs give a nod to vintage specs.
While the visuals say 1965, the Ultra Luxe is definitely a 2025 machine. Its pickups are Vintage ’61 single-coils in the neck and middle for classic Strat midrange quack, but with a zebra-stripe Haymaker humbucker in the bridge. A button for the popular S1 circuit sits atop the Volume knob, allowing you to split the Haymaker into separate coils for instant quack. Another contemporary nod is the D-shaped neck, which is perfectly shred-able for your best legato, tapping, and blues licks; a tapered heel, locking tuners, and reliable vibrato bridge continue the tech parade. Luminlay side dots glow-in-the-dark after being exposed to light. Fender says 20 minutes should keep them glowing the whole gig, and it totally works.
On the job, the Ultra Luxe HSS brings plenty of cool tones. In band rehearsal, it sparkled; the pickups and alder body combined with the blazing neck covered everything from Stevie Ray quack to Iron Maiden HSS scream. Conversely, the guitar logs in at 8.2 pounds – something to keep in mind if you prefer the Strat’s customary light weight.
All told, the Ultra Luxe Vintage ’60s Stratocaster HSS is an impressive solidbody, offering players that “modern inside vintage” sound and functionality many desire. It’s a seriously impressive instrument. – Pete Prown
This article originally appeared in VG’s November 2025 issue. All copyrights are by the author and Vintage Guitar magazine. Unauthorized replication or use is strictly prohibited.
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