The article discusses the performance of "Otto," a Baroque opera by Handel at a festival primarily dedicated to Bach's works. This choice raises questions about the curatorial intentions and potential biases, as the focus on Handel seems discordant with the purpose of the festival. However, the performance itself received praise for its musical substance and the ensemble's ability to capture the subtle shift in compositional style between Handel and Telemann. The visual production aspects of "Ot...