Disney is organizing a filming session in Girona for the movie adaptation of *Beauty and the Beast*. The production involves approximately five hundred people. The filming will take place primarily in the cathedral, where crew members will transform both the interior and the staircase. Inside the nave, curtains have been hung across the archways, revealing parts of the set design, including lion statues and sculptures. Outside, a medieval platform has been installed between the pillars and drainpipes to simulate columns. The filming is scheduled to begin the following day, and the area will remain completely secured during the process, necessitating changes to guided tours of the cathedral.

The narrative of a large-scale artistic production taking place within a historical, public space highlights the tension between commercial creative endeavor and the preservation or experience of that public space. The physical transformation of the cathedral—turning it into a temporary set—forces a confrontation between heritage and spectacle. The necessity for complete security and the subsequent alteration of visitor access suggest a negotiation where the private demands of production override the established public function of the site. This process raises questions about the boundary between sacred/historical space and consumable media environments. Who defines the aesthetic reality of a place when commercial interests dictate temporary physical alterations? What precedent is set for balancing heritage conservation against large-scale media production, and who bears the cost of this enforced shift in perspective for the public?