How far are you prepared to go if you really, really want something? Would you stop at nothing, save perhaps murder? When it’s a question of naked political power, all bets are off. But if it’s a matter of the heart, would you determine to leave no stone unturned in pursuit of your own happiness? That, essentially, is the dilemma facing Count Almaviva in Rossini’s The Barber of Seville, where the ...