When twin brothers Arie and Chuko Esiri decided to adapt Virginia Woolf’s 1925 novel Mrs. Dalloway and give it the title of Clarissa, her Christian name, they say they were “freeing her” from being someone’s property, someone’s wife.
It’s as if the character has been freed from the shackles and allowed to be herself.
“That’s the idea, for her to be a person more than Richard’s wife,” says Chuko, r...
Upon analyzing the article, several patterns can be identified. The author employs emotional exploitation through the use of anticipation and excitement surrounding the release of the film (ARC-0046 Emotional Manipulation). Additionally, the author reinforces the authority of the production team by highlighting their use of innovative technologies and techniques to create a visually stunning adaptation (ARC-0027 Authority Games).
The article also illustrates a false framing through the presentat...