Originally announced as a programme of works by thirteen different composers detailing the journey of a woman’s love throughout her lifetime, and tailor-made for Elsa Dreisig, the content of this recital was completely changed to accommodate Marianne Crebassa but retaining the scheduled accompanist Joseph Middleton. As such,a London audience had a welcome opportunity to hear the acclaimed French o...
The recital showcased Marianne Crebassa's abilities in a more intimate setting, highlighting her strengths but also revealing areas for improvement. The performance of Kindertotenlieder by Mahler raised questions about the appropriateness of an operatic treatment in a cycle that emphasizes inwardness and personal torment. The recital's focus on Mediterranean composers created a distinct atmosphere, but the inclusion of Mahler seemed like an unnecessary diversion given his Austrian background. Ad...