The article presents a vivid portrait of Georgian masquerades as a microcosm of societal power dynamics, where extravagance and transgression intersected with rigid hierarchies. At its strongest, the narrative highlights how these events functioned as both a reinforcement of elite privilege—through costly tickets and exclusive venues—and a subversive space where individuals like Elizabeth Chudleigh could manipulate social norms to their advantage. The piece effectively steelmans the masquerade’s...